Regis
U to celebrate All Saints with santos art exhibit
6-week event features
Colorado santo artists, market, lectures
By Roxanne King
Denver native Catherine
Robles-Shaw, was praying for her daughter to be healed of brain cancer
when she rediscovered santos, handcrafted saints, at churches in New Mexico.
Shaw didn't find a cure, but she did find renewed faith and hope
in the religious folk images.
Those graces aided
her and her daughter's 13-year battle with the disease nine of
them fought after Sherry Ann was given just one month to live. The struggle
ended in 1984, when Sherry Ann died at 16. Seven years later, Shaw turned
her newfound devotion into a career when she became a santera, an artist
who depicts saints (males are santeros).
"This is my
work now," Shaw, 49, said from her Nederland home. "I work fulltime
just making saints. I use them as prayer as I go around painting them."
Despite growing
up in a "very Catholic home" replete with altars for prayer,
Shaw said she had taken santos for granted until her anguished pilgrimage
led her back to them. After embarking on her new career, she learned she
was the fifth generation in her family to do so.
Now, another daughter,
Roxanne, is following Shaw's footsteps. Like her mother, the 21-year-old
Shaw also is an award-winning santera.
Both mother and
daughter's work will be on display with that of 14 other santeras and
santeros Colorado's finest, according to organizers at Regis
University's "Santos: Sacred Art of Colorado" exhibit. Opening
on All Saints Day, Nov. 1, the show runs through Dec. 13 at the O'Sullivan
Arts Center. The exhibit is free. It begins with a Mass celebrated by
Bishop José Gomez 4 p.m. Nov. 1 at St. John Francis Regis Chapel.
Following the liturgy, Bishop Gomez will lead the artists in a procession
to the gallery for the opening reception.
Related events include
a market Dec. 8 where the public can purchase works by the featured artists.
Additionally, Jesuit Father Thomas J. Steele, curator of the Regis University
santo collection, will give a lecture, "Santos: An education in saintly
living," 7 p.m. Nov. 8. Santero José Raul Esquibel, a 1965
Regis graduate whose work will be in the exhibit, also will present a
lecture, "Modern Usage of Santos," 7 p.m. Nov. 15.
A folk art mainly
associated with New Mexico, many Colorado artists have taken up the santo
tradition and are extremely good, said William Sutton, director of the
O'Sullivan gallery. The fine arts professor emphasized that Colorado artists
are continuing a tradition that extends beyond the political boundary
separating the two states.
"It's just
a straight line across the territory, but the land continues and the culture
continues," Sutton said.
Featuring bultos
(hand carved saints), retablos (painted wood panels), and reredos (altar
screens), the show is even better than the one Regis presented four years
ago, which was a huge success, Father Steele said.
"The quality
of work in Colorado has flourished in a wonderful way," he said,
adding that the works displayed are "really splendid."
So how do santos
aid with saintly living? Because they teach the three great virtues
faith, hope and charity, Father Steele said.
"Faith is believing
what the Church believes," he said explaining that santos depict
the life, death and resurrection of Christ, the Blessed Mother, saints
and angels. They are used to aid prayer, which "is almost always
involved in hope," he said, and they are used to teach moral lessons
on how to live a Christian life, "which comes down to love."
Some 200 subjects
are represented in the santero world, Father Steele said, each with its
own symbolism. The crucifix, Our Lady of Guadalupe, the patron of farmers
San Isidro (St. Isidore), and San José (St. Joseph) are among the
most popular.
"Part of the
Hispanic take on (spirituality) is that God is a good administrator and
knows how to delegate authority," Father Steele said. "If you
want rain, you pray to San Isidro and he will make a decision on whether
it should rain or not."
Appearing about
1800, the santo tradition dwindled when modern technology and mass production
nearly brought an end to the hand made devotional objects, said Esquibel,
who has made santos since 1992. In the not-too-recent past, they were
regarded more as a collectible. Recent resurgence of santo popularity
is related in part to people's desire for a more personal sacramental,
the 57-year-old Littleton resident said.
"I think people
hunger for this more authentic spirituality," Esquibel said. "That's
what these santos represent."
Like a Negro spiritual,
santos have an ethnic quality that's specific to a cultural group, but
their spiritual meaning resonates universally, the santero said.
"You know the
spirituals come from a distinct moment in history and personal experience,"
Esquibel said. "The same with santos, you know they arose out of
the Hispanic religious tradition but you relate to it."
Each santo is unique,
with a beauty born of its simplicity and personal quality, he said. Today,
santos are again being used in their traditional manner for devotional
purposes in homes or as gifts on religious occasions.
And, they're remarkably
affordable, he said, noting that the vast majority of works by respected
artists sell for less than $200. But they can cost thousands, he added.
Like Shaw, Esquibel,
grew up in a home rich with Hispanic Catholic religious traditions. Esquibel's
decision to become a santero was the result of prayer seeking guidance
on how to recover the faith practices that held such power and meaning
in the Hispanic community such as youth kneeling before elders
for their blessing before leaving on a trip but which his generation
had let slip away, Esquibel said.
"I thought
to myself, `Am I a part of this loss?'" Esquibel said.
Now, he's an integral
part of the santo revival and one of the main forces behind the Regis
exhibits, which the university hopes to hold every four years, Father
Steele said.
"This is a
wonderful thing," Esquibel said about the upcoming exhibit and the
auxiliary bishop's willingness to begin it in true Hispanic religious
form with a liturgy and procession. "Bishop Gomez comes to the Hispanic
community and he gets to see the best of it, the fruit."
During the last
santo exhibit, Hispanic students excitedly promoted the event to their
parents, Esquibel said, calling them back to their roots.
But the event is
an opportunity for all to learn about the santo tradition, the santero
said, adding, "You don't have to speak Spanish to enjoy it."
Regis University
is at 3333 Regis Blvd. O'Sullivan gallery hours are 11 a.m.-1:30 p.m.
Tuesdays, 11 a.m.-2 p.m. Wednesdays, 1-4 p.m. Fridays, and 11 a.m.-1:30
p.m. and 6-9 p.m. Thursdays.
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